Cynthia Manietta - From Human Hands
25th NOVEMBER 2011: Opening celebration for two ceramics exhibitions -
Cynthia Manietta's From Human Hands
and
Fragile by Julia Stewart
on Friday at 7pm.
'The body of work created for this exhibition is designed to explore the issue of climate change,
environment control and population sustainability.' - Cynthia Manietta, October 2011
'Octababy’ - detail
Octababies
The course criteria for the ‘Advanced Diploma in Ceramics’ required work exhibiting integrated
animal and human characteristics.
Employing casting techniques I created an army of
25 creatures I call ‘Octababies’:
part octopus and part swaddled baby.
The message I want to convey is that
human tentacles reach into, and exploit,
every part of this planet. There is not one
plant or animal on this planet that we
do not eat or utilise in some way.
My work expresses a personal opinion that
the world should come together and stipulate a
sustainable world population target.
Many people would disagree with what I consider
a logical viewpoint, as this idea infringes our human rights, but what of the rights of our planet and its non-human inhabitants? Our planet cannot provide
enough food and resources to sustain
the present human population in the level of
comfort currently enjoyed by Australians.
Cynthia Manietta and her army of 'Octababies'.
River Mussels
Earlier this year, I had dinner with a friend in Brisbane. She claimed the recent flood was “The flood we were never supposed to have”.
In an inquiry on April the 16th 2011, a number of SEQ Water engineers responsible for managing the discharge from Wivenhoe Dam were interviewed. The inquiry’s conclusions support my friends’ assertion. If water had been released from Wivenhoe Dam only 36 hours earlier many houses and businesses would have survived.
While exploring some of the flood damaged river systems at Twin Bridges down stream from Wivenhoe Dam, my son Liam found these large river mussels scoured from the deeper river channels. This is indicative of humanity’s ever-increasing hold over the natural environment: the necessity to retain water to support a growing and already unsustainable population. The death of these mussels is a small example of what happens to the environment when things go wrong. Homo sapiens must be the most ego-centric creature on earth: we only focus on the human cost, ignoring our life sustaining environment.
'River Mussels'
Thirty-six numbered mussels were created,
marking the time difference
between their death and their survival.
They will be exhibited on river sand.
Humans classify everything in their environment
using scientific nomenclature.
The numerical system is symbolic
of this classification system.
Internal Ecosystems
I like the idea of internal ecosystems. An ecosystem placed within a vessel. Internal spaces relate to the idea of an ecosystem’s inherent fragility.
Slip casting from a $1 op-shop bowl that closely resembled a fish bowl, provided a suitable interior.
Water-slide decals were created after a series of experiments with a Hewlett Packard printer
This cost effective process allows modified and individually computer designed black and white images to be transferred to ceramics with relative ease. Fired correctly, the image transfers that
result from the iron content of the printing ink are remarkably crisp and clear.
The success of this dialogue depends on the
images within the enclosed space which mirrors
the treatment of external environments.
The decal process will be further developed
to include decal application onto glass and glass slumping with the intention of creating
appealing translucent effects.
‘Fish Kill’ - Image taken at Lake Cargelligo
in central NSW during the drought in 2010,
by my father who is a photographer.
'Internal Ecosystem'
From Human Hands
is on view from the 15th until the 28th of November 2011.
Opening speeches by Cynthia's father (left)
and Merriel Hume.
Following the official opening of From Human Hands,
Cynthia and her dad relax amidst artworks by Pete and Claire Salkeld.
Julia Stewart's Fragile
exhibition is also showing
at the Serpentine during the above dates,
and Pete and Claire Salkeld's Xsightin' Ceramics Xhibition
will be on display between the 18th and the 25th of November 2011.
SERPENTINE COMMUNITY GALLERY
17 Bridge St, North Lismore, NSW, 2480.
Contact (02) 6621 6845 or serpentineartsgallery@gmail.com